Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Johan-Barthold Jongkind
Ruins of the Castle at Rosemont

ID: 11296

Johan-Barthold Jongkind Ruins of the Castle at Rosemont
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Johan-Barthold Jongkind Ruins of the Castle at Rosemont


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Johan-Barthold Jongkind

  Related Paintings of Johan-Barthold Jongkind :. | Empress Dona Margarita de Austria in Mourning Dress | Portrait of der Madame de Stael als Corinne | The Kalila and Dimna animal fables | Cyclotron-s shape | Portrait of Helene Fourment |
Related Artists:
Pauwels van Hillegaert
(1596-1640) was a Dutch Golden Age painter of landscapes and military scenes. He married Anneken Homis from Antwerp in 1620, with whom he had several children, including the painter with the same name, Pauwels van Hillegaert II (1621-1658). This Pauwels Jr. married Cornelia de Vlieger (daughter of Simon de Vlieger) and had two daughters. When Pauwels Jr. like his father died at a relatively young age, Cornelis de Bie wrote a commemorative poem about him. Pauwels Sr. won royal commissions to paint battle scenes, most notably for the Siege of 's-Hertogenbosch in 1629. He also won a commission for the Battle of Nieuwpoort. He also painted Italianate landscapes, but was mostly admired for his horses and armor.
Lachtropius, Nicolaes
Dutch Baroque Era Painter, active 1656-1700
Louis Anquetin
1861-1932,French painter. He came to Paris in 1882 and studied art at the Ateliers of Bonnat and Cormon, where he was a contemporary and friend of Henri de Toulouse-Lautrec, Emile Bernard and Vincent van Gogh. His early work shows the influence of Impressionism and of Edgar Degas. In 1887 Anquetin and Bernard devised an innovative method of painting using strong black contour lines and flat areas of colour; Anquetin aroused much comment when he showed his new paintings, including the striking Avenue de Clichy: Five O'Clock in the Evening (1887; Hartford, CT, Wadsworth Atheneum) at the exhibition of Les XX in Brussels and at the Salon des Independants in Paris in 1888. The new style, dubbed Cloisonnisme by the critic Edouard Dujardin (1861-1949), resulted from a study of stained glass, Japanese prints and other so-called 'primitive' sources; it was close to the Synthetist experiments of Paul Gauguin and was adopted briefly by van Gogh during his Arles period. Anquetin's works were shown alongside Gauguin's and Bernard's at the Caf? Volpini exhibition in 1889,






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